This year I decided to base my piece on Wes Anderson's Rushmore. I also decided to revisit the idea of an "interactive" painting, similar to what I did here & here. I really love the idea of the viewer being invited to interact with a painting, which for so long has had a "hands-off"' policy. I am also interested in the idea of giving the viewer a say in how they want the painting to exist.
Max Fischer
6 x 7 in.
Oil on wood (painting), ink on paper (library card), tassel
-portrait.
-library card: slides when tassel is pulled to reveal the different activities that Max was a part of at Rushmore.
